When I’m working with rochester ny wedding photographers, the first thing I inquire about is their shooting style. How do they approach subjects, anticipate shots, and maneuver while shooting? Most reply with a blank look, because it’s something we don’t really think about—we just do it. The wedding photojournalist’s subject matter is momentary and highly unpredictable, so it’s important to become aware of how you ready yourself for those decisive moments. In some regards, it’s like shooting clay pigeons; one must have quick reflexes and be prepared. I tell photographers to treat their cameras like video cameras, meaning that they should observe each scene without ever lowering the camera from their eye.

For example, I notice a lot of photographers lower their cameras when speaking with subjects or being spoken to by their subjects. This is a bad habit you must break. TALKING THROUGH IT I’m not sure what strange phenomenon takes place when I’m shooting, but I often find myself struggling to form recognizable words or any sense at all when I speak. I think it’s the arresting effect of having all of your faculties focused on what’s in the viewfinder. It has taken me many years to perfect the feat of being able to converse with subjects while shooting them—and unlike riding a bike, it requires practice, practice, practice. Personally, I like talking to my subjects and some of my best photographs have been taken during my discourse with clients. Subjects will resume a more natural demeanor when the camera comes away from your eye.

My strategy is to not give in, knowing that they will eventually retire their inhibitions, relax, and return to a more natural state in front of the camera. It reminds me of children who protest their parents by holding their breath. Eventually, they just have to give in, and they do—always!

Paul D. Van Hoy II (2011). Wedding Photojournalism: The Business of Aesthetics: A Guide for Professional Digital Photographers Amherst Media, Inc.. Kindle Edition.

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